Changes
no edit summary
For right now, this is just a collection of links and resources I'm finding concerning digital music publishing.
Todo: [https://www.harryfox.com/#/ Harry Fox Agency], CD-Baby, Tunecore etc.
{| class="wikitable" width="auto" style="text-align: center"
! colspan="3"| Rights & Societies
|-
|AllTrack || Global Performing Right Org. (PRO)|| https://www.alltrack.com/
|-
| ASCAP Foundation || ||https://www.ascap.com/
|-
| BMI (Broadcast Music, Inc.)|| ||https://www.bmi.com/
|-
| GMR (Global Music Rights)||PRO||https://globalmusicrights.com/
|-
| ISRC (Recording Industry Association of America, Inc.)|| || https://www.usisrc.org/
|-
| ISWC (International Standard Musical Work Code)|| || http://www.iswc.org/
|-
|Pro Music Rights || PRO ||https://promusicrights.com/
|-
| SESAC|| invitation only PRO||https://www.sesac.com/#!/
|-
| SoundExchange|| SoundExchange collects royalties for ALL sound recordings played on non-interactive digital radio||https://www.soundexchange.com/about/general-faqs/
|-
| US Copyright Registration Portal || ||https://www.copyright.gov/registration/
|-
|colspan="3"|<small>PRO means Performance Rights Organization. Generally for where music is being performed / played in a commercial venue.</small>
|}
{| class="wikitable" width="auto" style="text-align: center"
! colspan="4"| Audio Fingerprint
|-
! Product name
! Front End
! Underlying tech
! Expert(s)
|-
| AdShare || || fast audio matching (FAM)|| USC Media Communications Laboratory<ref name="USC Media Communications Lab 2014"/>
|-
| Amazon|| Alexa|| Audio watermarking || Mohamed Mansour<ref name="alexa"/>
|-
| Apple || iTunes ||Shazam ||Avery Li-Chun Wang [http://www.ee.columbia.edu/~dpwe/papers/Wang03-shazam.pdf PDF]
|-
|Facebook || Rights Manager || ||https://rightsmanager.fb.com/
|-
|HAAWK Rights Technologies|| || || https://www.haawk.com/
|-
|MIREX <ref name="music-ir.org 2019"/>|| [https://www.acrcloud.com/technologies ACRCloud] || MIR/MDL[https://pdfs.semanticscholar.org/9d8d/6d97094026075322d1b648d15b5c76fabd73.pdf?_ga=2.20798392.1878533352.1572018863-1099976798.1572018863 --PDF] ||The International Music Information Retrieval Systems Evaluation Laboratory (IMIRSEL)<ref name="Varvel Singh (IMIRSEL)"/>
|-
|| Picard<ref name="MusicBrainz Picard"/>|| MusicBrainz<ref name="MusicBrainz 2019"/>|| AcoustID - Chromaprint <ref name="AcoustID"/>|| Lukáš Lalinský<ref name="Lukáš Lalinský 2011"/>
|}
==Wikipedia==
*[[Wikipedia:Acoustic fingerprint|Acoustic fingerprint]]
*[[Wikipedia:Performing rights|Performing Rights]]
*[[Wikipedia:Performance rights organisation|Performance rights organisation (PRO)]]
*[[Wikipedia:Related rights|Related rights (performer rights)]]
::''The US Copyright Statute does not explicitly recognize a copyright that is vested in the performer for their work. Therefore as a matter of statutory law, a performer, being either an actor, dancer, sportsperson or musician cannot claim a separate copyright.''
::''The 9th Circuit Court of Appeals in Garcia v. Google however found that the absence of a statutory provision conferring an independent copyright on the performance did not imply that performances were not entitled to a protection. The Court observed that if the originality threshold, as was enunciated by the SCOTUS in Feist was met, then such original performances be in musical, dramatic or other performances were entitled to copyright, if they were themselves not unauthorized or otherwise infringing. It is important to note that Court did not consider the fact that the performance of a work was itself a covered right under copyright to be repugnant with the conclusion that performers could enjoy copyright protection.''
*[[Wikipedia:Tie-in| Tie-in (publishing)]]
==References==
{{Reflist|refs=
<ref name="USC Media Communications Lab 2014">{{cite web | title=USC Media Communications Lab – MCL and AdShare Developed Fast Audio Matching Technology | website=USC Media Communications Lab | date=2014-04-06 | url=http://mcl.usc.edu/news/2014/04/06/mcl-and-adshare-developed-fast-audio-matching-technology/ | access-date=2019-10-27}}</ref>
<ref name="alexa">{{cite web|url=https://developer.amazon.com/blogs/alexa/post/d6fe5fef-b546-430c-8dcc-5cd4fecd410b/audio-watermarking-algorithm-is-first-to-solve-second-screen-problem-in-real-time|title=Audio Watermarking Algorithm Is First to Solve "Second-Screen Problem" in Real Time|author=Yuan-yen Tai|date=2019-03-28|publisher=Amazon Alexa Blogs}}</ref>
<ref name="music-ir.org 2019">{{cite web | title=MIREX Wiki | website=music-ir.org | date=2019-09-02 | url=https://www.music-ir.org/mirex/wiki/MIREX_HOME | access-date=2019-10-25}}</ref>
<ref name="Varvel Singh (IMIRSEL)">{{cite web | last=Varvel | first=Virgil | last2=Singh | first2=Harsh | title=Networked Environment for Music Analysis (NEMA) - Was International Music Information Retrieval Systems Evaluation Laboratory (IMIRSEL) | website=GSLIS Center for Informatics Research in Science and Scholarship (CIRSS) University of Illinois | url=http://cirss.ischool.illinois.edu/Project/project-details.php?id=20 | access-date=2019-10-25}}</ref>
<ref name="MusicBrainz Picard">{{cite web | title=MusicBrainz Picard | website=MusicBrainz Picard | url=https://picard.musicbrainz.org/ | access-date=2019-10-25}}</ref>
<ref name="MusicBrainz 2019">{{cite web | title=The Open Music Encyclopedia | website=MusicBrainz | date=2019-10-14 | url=https://musicbrainz.org/ | access-date=2019-10-25}}</ref>
<ref name="Lukáš Lalinský 2011">{{cite web | title=How does Chromaprint work? | website=Lukáš Lalinský | date=2011-01-18 | url=https://oxygene.sk/2011/01/how-does-chromaprint-work/ | access-date=2019-10-25 |archive-url=https://web.archive.org/web/20190728230437/https://oxygene.sk/2011/01/how-does-chromaprint-work/|archive-date=2019-10-25}}</ref>
<ref name="AcoustID">{{cite web | title=Chromaprint | website=AcoustID | url=https://acoustid.org/chromaprint | access-date=2019-10-25}}</ref>
}}
Todo: [https://www.harryfox.com/#/ Harry Fox Agency], CD-Baby, Tunecore etc.
{| class="wikitable" width="auto" style="text-align: center"
! colspan="3"| Rights & Societies
|-
|AllTrack || Global Performing Right Org. (PRO)|| https://www.alltrack.com/
|-
| ASCAP Foundation || ||https://www.ascap.com/
|-
| BMI (Broadcast Music, Inc.)|| ||https://www.bmi.com/
|-
| GMR (Global Music Rights)||PRO||https://globalmusicrights.com/
|-
| ISRC (Recording Industry Association of America, Inc.)|| || https://www.usisrc.org/
|-
| ISWC (International Standard Musical Work Code)|| || http://www.iswc.org/
|-
|Pro Music Rights || PRO ||https://promusicrights.com/
|-
| SESAC|| invitation only PRO||https://www.sesac.com/#!/
|-
| SoundExchange|| SoundExchange collects royalties for ALL sound recordings played on non-interactive digital radio||https://www.soundexchange.com/about/general-faqs/
|-
| US Copyright Registration Portal || ||https://www.copyright.gov/registration/
|-
|colspan="3"|<small>PRO means Performance Rights Organization. Generally for where music is being performed / played in a commercial venue.</small>
|}
{| class="wikitable" width="auto" style="text-align: center"
! colspan="4"| Audio Fingerprint
|-
! Product name
! Front End
! Underlying tech
! Expert(s)
|-
| AdShare || || fast audio matching (FAM)|| USC Media Communications Laboratory<ref name="USC Media Communications Lab 2014"/>
|-
| Amazon|| Alexa|| Audio watermarking || Mohamed Mansour<ref name="alexa"/>
|-
| Apple || iTunes ||Shazam ||Avery Li-Chun Wang [http://www.ee.columbia.edu/~dpwe/papers/Wang03-shazam.pdf PDF]
|-
|Facebook || Rights Manager || ||https://rightsmanager.fb.com/
|-
|HAAWK Rights Technologies|| || || https://www.haawk.com/
|-
|MIREX <ref name="music-ir.org 2019"/>|| [https://www.acrcloud.com/technologies ACRCloud] || MIR/MDL[https://pdfs.semanticscholar.org/9d8d/6d97094026075322d1b648d15b5c76fabd73.pdf?_ga=2.20798392.1878533352.1572018863-1099976798.1572018863 --PDF] ||The International Music Information Retrieval Systems Evaluation Laboratory (IMIRSEL)<ref name="Varvel Singh (IMIRSEL)"/>
|-
|| Picard<ref name="MusicBrainz Picard"/>|| MusicBrainz<ref name="MusicBrainz 2019"/>|| AcoustID - Chromaprint <ref name="AcoustID"/>|| Lukáš Lalinský<ref name="Lukáš Lalinský 2011"/>
|}
==Wikipedia==
*[[Wikipedia:Acoustic fingerprint|Acoustic fingerprint]]
*[[Wikipedia:Performing rights|Performing Rights]]
*[[Wikipedia:Performance rights organisation|Performance rights organisation (PRO)]]
*[[Wikipedia:Related rights|Related rights (performer rights)]]
::''The US Copyright Statute does not explicitly recognize a copyright that is vested in the performer for their work. Therefore as a matter of statutory law, a performer, being either an actor, dancer, sportsperson or musician cannot claim a separate copyright.''
::''The 9th Circuit Court of Appeals in Garcia v. Google however found that the absence of a statutory provision conferring an independent copyright on the performance did not imply that performances were not entitled to a protection. The Court observed that if the originality threshold, as was enunciated by the SCOTUS in Feist was met, then such original performances be in musical, dramatic or other performances were entitled to copyright, if they were themselves not unauthorized or otherwise infringing. It is important to note that Court did not consider the fact that the performance of a work was itself a covered right under copyright to be repugnant with the conclusion that performers could enjoy copyright protection.''
*[[Wikipedia:Tie-in| Tie-in (publishing)]]
==References==
{{Reflist|refs=
<ref name="USC Media Communications Lab 2014">{{cite web | title=USC Media Communications Lab – MCL and AdShare Developed Fast Audio Matching Technology | website=USC Media Communications Lab | date=2014-04-06 | url=http://mcl.usc.edu/news/2014/04/06/mcl-and-adshare-developed-fast-audio-matching-technology/ | access-date=2019-10-27}}</ref>
<ref name="alexa">{{cite web|url=https://developer.amazon.com/blogs/alexa/post/d6fe5fef-b546-430c-8dcc-5cd4fecd410b/audio-watermarking-algorithm-is-first-to-solve-second-screen-problem-in-real-time|title=Audio Watermarking Algorithm Is First to Solve "Second-Screen Problem" in Real Time|author=Yuan-yen Tai|date=2019-03-28|publisher=Amazon Alexa Blogs}}</ref>
<ref name="music-ir.org 2019">{{cite web | title=MIREX Wiki | website=music-ir.org | date=2019-09-02 | url=https://www.music-ir.org/mirex/wiki/MIREX_HOME | access-date=2019-10-25}}</ref>
<ref name="Varvel Singh (IMIRSEL)">{{cite web | last=Varvel | first=Virgil | last2=Singh | first2=Harsh | title=Networked Environment for Music Analysis (NEMA) - Was International Music Information Retrieval Systems Evaluation Laboratory (IMIRSEL) | website=GSLIS Center for Informatics Research in Science and Scholarship (CIRSS) University of Illinois | url=http://cirss.ischool.illinois.edu/Project/project-details.php?id=20 | access-date=2019-10-25}}</ref>
<ref name="MusicBrainz Picard">{{cite web | title=MusicBrainz Picard | website=MusicBrainz Picard | url=https://picard.musicbrainz.org/ | access-date=2019-10-25}}</ref>
<ref name="MusicBrainz 2019">{{cite web | title=The Open Music Encyclopedia | website=MusicBrainz | date=2019-10-14 | url=https://musicbrainz.org/ | access-date=2019-10-25}}</ref>
<ref name="Lukáš Lalinský 2011">{{cite web | title=How does Chromaprint work? | website=Lukáš Lalinský | date=2011-01-18 | url=https://oxygene.sk/2011/01/how-does-chromaprint-work/ | access-date=2019-10-25 |archive-url=https://web.archive.org/web/20190728230437/https://oxygene.sk/2011/01/how-does-chromaprint-work/|archive-date=2019-10-25}}</ref>
<ref name="AcoustID">{{cite web | title=Chromaprint | website=AcoustID | url=https://acoustid.org/chromaprint | access-date=2019-10-25}}</ref>
}}