| Graveyard Shift Limited Edition | |
|---|---|
 | |
| Soundtrack album by Anthony Marinelli, Brian Banks | |
| Released | October 13, 2020 |
| Recorded | 1990 |
| Studio | Sonar Productions - Hollywood, CA |
| Genre | film score / horror, suspense |
| Length | 75:01 |
| Label | La-La Land Records - Paramount |
| Producer | Anthony Marinelli, Brian Banks |
Graveyard Shift Soundtrack (lede goes here)
"Graveyard Shift (1990) - Trailer HD 1080p"
Graveyard Shift: Limited Edition (soundtrack)
- Released: 2020
- Format: "LP/CD"
- Label: La-La Land Records & Paramount
- Producer: Anthony Marinelli & Brian Banks
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Prologue / Main Title" | A.Marinelli, B.Banks | 8:09 |
| 2. | "Pumping the Rats* / Hall Waits / Health Inspector" (* not in film) | A.Marinelli, B.Banks | 1:54 |
| 3. | "Kelly and the Exterminator**" (** contains material not in film) | A.Marinelli, B.Banks | 1:12 |
| 4. | "V.C. Rats – Part 1 1:42" | A.Marinelli, B.Banks | 1:42 |
| 5. | "V.C. Rats – Part 2" | A.Marinelli, B.Banks | 4:12 |
| 6. | "Stevenson’s Death" | A.Marinelli, B.Banks | 1:51 |
| 7. | "Carmichael’s Red Herring" | A.Marinelli, B.Banks | 1:56 |
| 8. | "Nardello and the Caddy" | A.Marinelli, B.Banks | 2:21 |
| 9. | "Hall’s Red Herring" | A.Marinelli, B.Banks | 1:59 |
| 10. | "Hall Recruited / Nardello Gets the Chomp" | A.Marinelli, B.Banks | 3:18 |
| 11. | "Rats in the Desk / Ippeston Fired" | A.Marinelli, B.Banks | 2:16 |
| 12. | "Exterminator Exterminated" | A.Marinelli, B.Banks | 3:10 |
| 13. | "Hall Finds Trap Door / The Sub-Basement" | A.Marinelli, B.Banks | 18:48 |
| 14. | "Hall Climbs to Safety** / Flying Cans** / Ground Bat**" (** contains material not in film) | A.Marinelli, B.Banks | 4:59 |
| 15. | "End Credits (instrumental)" | A.Marinelli, B.Banks | 3:29 |
| 16. | "Prologue / Main Title (alternate)" (Bonus track) | A.Marinelli, B.Banks | 7:58 |
| 17. | "End Credits (alternate instrumental)" (Bonus track) | A.Marinelli, B.Banks | 3:40 |
| 18. | "Graveyard Shift Trailer" (Bonus track) | Composed and Performed by John Beal | 1:30 |