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Draft:Lester Sill

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Lester Sill (January 13, 1918 – October 31, 1994) was an American record label executive who rose to become the president of Screen Gems-Columbia Music, a director at ASCAP and consulting president for Jobete Music (the publishing arm of Motown Records).[3] As an independent producer in the 1950s and 1960s, he was a moving force behind Hadda Brooks and B. B. King.[4] He formed independent labels around composers like Jerry Leiber and Mike Stoller, Lee Hazlewood and Phil Spector. Rostered artists included Duane Eddy, The Coasters, The Paris Sisters, and The Crystals.[5][1]

Draft:Lester Sill
Born(1918-01-13)January 13, 1918
Died
Los Angeles
NationalityUnited States
OccupationMusic executive
Years active50
Spouse(s)Harriet
ChildrenChuck Kaye (stepson), Joel Sill, Greg Sill, Lonnie Sill [1]
AwardsPrime Minister's Medal


Lester Sill
Born(1918-01-13)January 13, 1918
Los Angeles, CA
DiedOctober 31, 1994(1994-10-31) (aged 76)
Los Angeles, CA
Occupation(s)Music publisher, Record executive
Years active1946-1994
LabelsGregmark, Philles Records
Associated actsLeiber & Stoller, T-Bone Walker, Paris Sisters, The Coasters, The Monkeys
Websitewww.gregmarkmusicinc.com
Lester Sill
Spouse(s)Harriet
ChildrenChuck Kaye (stepson), Joel Sill, Greg Sill, Lonnie Sill [1]
Notes
Jazz guitarist Alex Sill (grandson)[2]

Sill hired Phil Spector as an apprentice to Leiber and Stoller and eventually partnered with Spector in the Philles label, the name being a combination of both men's informal first names. In return for his support and generosity (Spector lived in Sill's home for several years),[6] Sill was never repaid for his investment in Philles Records and The Wall of Sound.[5] Sill's partnership in Jamie Records with Lee Hazlewood launched the career of Duane Eddy and many of the studio musicians supporting the act went on to be core members of The Wrecking Crew.[7][8] Following this, as a record executive, Sill worked under Don Kirshner where his responsibilities included acts like The Monkeys, The Partridge Family and Carol King.[9][1]


The Wrecking Crew [7][8]


Lester Sill (January 13, 1918 – October 31, 1994) was an American record label executive, best remembered as Phil Spector's mentor and founding partner in Philles Records.

[5]

[10]

Carol King credits Sill for his hospitality and guidance in her memoirs.[9]

His three sons are music supervisors in film and television:

Joel Sill,[11]

Greg Sill,[12] and Lonnie Sill.

[13] His stepson Chuck Kaye is a longtime music publishing executive.[12]

Contents

Early life

Sill was dental technician who became a combat engineer in the Army because his papers said he knew about, “dentures and bridges.” After seving in Casablanca, he was discharged from the Army and left Philadelphia, moving to California to stay with his mother at the beach. Upon arrival, he met four year old Chuck, and Chuck's mother, his future wife Harriet. He opened Cotton’s Club on Western Avenue and 35th, with Harriet’s brother, which ran afoul of the authorities for after hours drinking. Sill took some door to door sales positions which he did not enjoy, until he met Lester Bahari of Modern Records in 1946. He soon found himself working in the record store and was offered a distribution route covering Fresno to San Diego, selling R&B and rock and roll genre records to stores and refreshing jukebox inventory. On his route, he noticed that he was driving by several radio stations and began befriending disc-jockeys, Sunday radio spins helped with his Monday sales.[14]

Career

Sill first entered show business as a nightclub owner, but in 1945, he joined the sales and promotion staff of the Bihari brothers' Modern Records, first as a regonal sale manager and then producing sessions for R&B acts including Charles Brown and Hadda Brooks.[15]

Sill shepherded the fledgling career of the songwriting team of Jerry Leiber and Mike Stoller. In 1950, Sill met Leiber at Modern Records,[16] where the aspiring lyricist worked as a retail clerk and suggested he find a partner who could read and write music, spurring the beginning of Leiber's collaboration with Mike Stoller.[17]

Sill produced the 1951 Jimmy Witherspoon effort "Real Ugly Woman," the first recorded Leiber and Stoller collaboration.[17]

  • Spark Records

Sill and Federal Records producer/talent scout Ralph Bass formed a PR agency, Brisk Enterprises,[18] and following the success of the duo's Big Mama Thornton hit "Hound Dog", Sill partnered with Leiber and Stoller to create Spark Records, and the publishing firm, Quintet Music, Inc. in 1953. Spark enjoyed immediate success with The Robins' R&B smash "Riot in Cell Block #9". The group's follow-up, "Smokey Joe's Café," proved an even bigger hit, in fact too big for the small label to handle. So in 1955 Spark sold its catalog to Atlantic Records, which in turn named Sill its national sales manager while giving Leiber and Stoller an independent production deal. While the deal prompted the breakup of The Robins, members Carl Gardner and Bobby Nunn continued on as The Coasters, with Sill serving as their manager.[19]

  • Trey Records

Sill also enjoyed chart success with producer-songwriter Lee Hazlewood on 1958's "Rebel Rouser", the most notable of the Top 40 instrumentals headlined by the renowned guitarist Duane Eddy and issued on the Dick Clark-owned Jamie label. In late 1959, Sill and Hazlewood formed Trey Records, a Hollywood-based imprint distributed by Atlantic.

Trey Records signings included Phil Spector, fresh off the success of his group The Teddy Bears', chart-topping pop classic, "To Know Him Is to Love Him". Sill allowed Spector to live in his Sherman Oaks home, sharing a room with Joel Sill[20] Spector worked as an apprentice to Leiber and Stoller, a studio musician and studio technician.

  • Jamie Records / Dick Clark[21]
  • Gregmark

At the end of 1961, Sill and Hazlewood shut down Trey but quickly formed a new label, Gregmark, as a vehicle for The Paris Sisters, the Paris Sisters' Gregmark debut "Be My Boy" earned little notice, the follow-up, "I Love How You Love Me," cracked the U.S. Top Five, [22] Spector then began work on a Paris Sisters LP, but as production costs began to skyrocket, Sill attempted to exert control of the project. Their skirmish ended disastrously when, according to Sill, one of his assistants accidentally discarded the master tapes.[23]

  • Philles

Also in 1961, Sill and Spector inaugurated their own label, Philles, immediately reaching the Top 20 with the company's debut release, The Crystals' "There's No Other (Like My Baby)." Its 1962 follow-up, "Uptown," was Spector's first true tour de force, capturing the Wall of Sound in full gallop.[5]

By mid-1962 Philles was the most successful independent label in the U.S., scoring a series of Spector-produced classics including the Crystals' "He's a Rebel" and "Then He Kissed Me," Bob B. Soxx & the Blue Jeans' "Zip-a-Dee-Doo-Dah" and The Ronettes' "Be My Baby." But as Spector's fame and renown grew, so did his notorious ego, and as he exerted more and more of his mercurial will over Philles' business dealings, his relationship with Sill disintegrated. Spector eventually forced his mentor out of the company altogether, buying out Sill for a paltry $60,000 and decisively terminating their partnership with the never-released Crystals recording "(Let's Dance) The Screw".[24]

  • Screen Gems-Columbia Music

In 1964, Sill resurfaced as a consultant to Screen Gems-Columbia Music president Don Kirshner. Although the position was temporary, he ended up staying with the company for over two decades, eventually taking over Kirshner's position. In 1985, Sill was named president and CEO of Jobete Music, the publishing arm of Berry Gordy, Jr.'s Motown empire. He remained with Jobete until his death in Los Angeles on October 31, 1994.[5]

References

  1. ↑ 1.0 1.1 1.2 1.3 Billboard (in Deutsch). Nielsen Business Media, Inc. pp. 10–28. ISSN 0006-2510. Retrieved 2021-07-16.
  2. ↑ Pacent, Nina (2019-05-22). "From Carl Jung to Lady Gaga, Jazz Guitarist Alex Sill's Music Speaks His Mind". BMI.com. Archived from the original on 2019-06-19. Retrieved 2019-11-07.
  3. ↑ A Day In The Live of Lester Sill (in Deutsch). Nielsen Business Media, Inc. p. 27. ISSN 0006-2510. Retrieved 2021-06-09.
  4. ↑ "Lester Sill; ASCAP Director and Promoter for Blues Performers". Los Angeles Times. 1994-11-07. Retrieved 2021-07-16.
  5. ↑ 5.0 5.1 5.2 5.3 5.4 Jason Ankeny. "Lester Sill's biography". AllMusic. Retrieved February 16, 2016.
  6. ↑ Ribowsky, M. (2000). He's a Rebel: Phil Spector, Rock and Roll's Legendary Producer. G - Reference, Information and Interdisciplinary Subjects Series. Cooper Square Press. p. 57. ISBN 978-0-8154-1044-7. Retrieved 2021-07-18.
  7. ↑ 7.0 7.1 Paulson, Linda Dailey (2012-04-02). "Lee Hazlewood Biography". Musician Biographies. Archived from the original on 2012-04-02. Retrieved 2021-07-17.
  8. ↑ 8.0 8.1 Feldman, Kate (2021-01-17). "Phil Spector, music producer and convicted killer, dead at 81". nydailynews.com. Retrieved 2021-07-17.
  9. ↑ 9.0 9.1 King, C. (2012). A Natural Woman: A Memoir (in français). Grand Central Publishing. ISBN 978-1-4555-1259-1. Retrieved 2019-11-07.
  10. ↑ "LESTER SILL". BlackCat Rockabilly Europe. 2018-12-19. Archived from the original on 2018-12-19. Retrieved 2019-11-07.
  11. ↑ Yang, Rachel; Yang, Rachel (2018-12-13). "Guild of Music Supervisors Awards to Honor Joel Sill; King Princess to Perform (EXCLUSIVE)". Variety. Archived from the original on 2019-11-07. Retrieved 2019-11-07.
  12. ↑ 12.0 12.1 "Greg Sill, 'Justified' Music Supervisor, Dies at 63 – Variety". Variety. Archived from the original on 2019-11-04. Retrieved 2019-11-04.
  13. ↑ "Lonnie Sill's credits". AllMusic. Retrieved November 7, 2019.
  14. ↑ Smith, J (1986). "Off the record interview with Lester Sill, 1986-03-13: A Finding Aid to the Collection in the Library of Congress". Washington, DC: Library of Congress Manuscript Division. Retrieved 04 November 2019.   This article incorporates text from this source, which is in the public domain.
  15. ↑ Talevski, N. (2010). Rock Obituaries: Knocking On Heaven's Door. Music Sales. p. 592. ISBN 978-0-85712-117-2. Retrieved 2019-11-07.
  16. ↑ Palmer, Robert (1978). Baby, That Was Rock' N Roll. United States: A Harvest / HBJ book. ISBN 0156101556.
  17. ↑ 17.0 17.1 Simpson, P. (2003). The Rough Guide to Cult Pop. Music rough guide. Rough Guides. p. 135. ISBN 978-1-84353-229-3. Retrieved 2019-11-07.
  18. ↑ Sippel, Johnny (23 August 1952). "Block Booking Promoters Hype Coast 1-Nitht Outlook". BillBoard. United States: Nielsen Business Media, Inc. p. 19. Retrieved 4 November 2019.
  19. ↑ "Jerry Leiber and Michael Stoller". history-of-rock.com. 2019-11-07. Archived from the original on 2019-11-07. Retrieved 2019-11-07.
  20. ↑ Ribowsky, M. (2000). He's a Rebel: Phil Spector, Rock and Roll's Legendary Producer. G - Reference, Information and Interdisciplinary Subjects Series. Cooper Square Press. p. 53-62. ISBN 978-0-8154-1044-7. Retrieved 2019-11-07.
  21. ↑ Jackson, J. (1999). American Bandstand: Dick Clark and the Making of a Rock 'n' Roll Empire. Oxford University Press. p. 128. ISBN 978-0-19-028490-9. Retrieved 2019-12-12.
  22. ↑ Warner, J. (2006). American Singing Groups: A History from 1940s to Today. Hal Leonard Corporation. p. 428. ISBN 978-0-634-09978-6. Retrieved 2019-11-07.
  23. ↑ Brown, M. (2012). Tearing Down The Wall of Sound: The Rise And Fall of Phil Spector. Bloomsbury Publishing. p. 94. ISBN 978-1-4088-1950-0. Retrieved 2019-11-07.
  24. ↑ "Phil Spector and The Screw". snopes.com. Retrieved 2019-11-07.

External links

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